The Earliest bronze Musical Instrument

Shi Hu Shiyang, the civil service minister two pairs of these are listed in a nearly 500m long Shinto both sides of the compact and concentrated, with a strong appeal. From Fengyang imperial tombs of the stone features, the better the Ming Dynasty mason inherited the skills of the Song Dynasty, exquisitely carved details at the meticulous form of realism and exaggerated expression means better combination, the early Ming Dynasty stone inscription outstanding representatives. From the style changes, artisans apparently recruited from all over the country, it is the hardness with softness. General patterns on the bronze are made up of large beast faces and of deformation of dragon body surrounded by frames with carved inscriptions like fish, tiger and elephant.  Xiaoling layout of the Ming emperor and other imperial tombs is quite different, only 18 stone, winding Shinto is up to nearly 4000m, to increase the elephant, camels, etc. become part of the rules of the Ming Tombs. Xiaoling carved stone has a very strong 68 sense of volume, heavy and concise.
With strong sculpture. Xiaoling whole ancient features, concise form of animal shapes, plus Wenchen generals decorative fine clothing has witnessed the evolution of the style of Ming Dynasty imperial tombs for decades to carve. The sculpture of the Ming Tombs, in fact the Yongle Emperor Zhu Di changlingji Shinto sculpture, because the next twelve Mausoleum are no longer set the Shinto sculpture. The basic shape of the bronze has not changed much but the handles may vary. The ambition of the emperor's tomb Shinto sculpture start volume larger than in the past a lot of the largest volume of 30m, vivid stone camel memorable. The overall style of the Changling, a few trends Ming Dynasty imperial tombs carved extreme, to achieve a more perfect state. The Shishou Shiren the well-proportioned, the dynamic, vivid and lifelike. Nose and mouth of the characters portrayed nuanced, which is rare in the previous tomb sculpture. Bronzes of the Ming Tombs and the Han, Tang, Song, Yuan's tomb stone has the same purpose.
 Han Dynasty tomb of bronze; Huo bronze, Han tomb bronze "horse riding Huns" Prancing Horse ", tigers, and Shiren, is a bronze of a group of other styles in recognition of Memorial narrative of the rich connotation. Líng is a small bronze (as might be hung from ribbons). Tang Dynasty tomb of bronze; national amalgamation, flowers are blooming. Such as the Tang Dynasty tomb lions practices true, a large head and strong, Volume bristles, suddenly head, the air is mighty. Form a large, vigorous style, forceful appearance mostly clear outline and a heavy sense of volume, gives a feeling of solemn silence. Song Dynasty tomb of bronze features; practical, ornamental, remember, and pioneering. Since the Yuan Dynasty exquisite pictorial style and superb carving art, just the right number is consistent with the emperor's father, Zhu Shizhen of birth and death age.
 Surrounded by deep and comfortable environment, fold revealing a solemn atmosphere in the cold desolation. Compared with the Han and Tang Dynasties, the Ming Dynasty sculpture mostly missing Ming imperial tombs in Fengyang lack of creativity and vitality. Practices realistic blending clever clumsy, flowing lines, subtle crafted financial overall great local fine, they represent the highest level of the bronze art of the early Ming period. Ling, a sort of bronze is the original form and the earliest of musical instruments.  Its tall body, stout, thick, simple, but the lack of momentum. Obviously, the tomb of the Ming Dynasty bronze art features to recover traces of the Han, Tang style. Its face is mostly lack of new ideas from the theme to the sculptures become increasingly secularized, civil.