Bronze Found in the Grave of Chu

The content and shape characteristics of the bronze and the second phase are also different. In stone content, the mystery animal stone disappeared, exists in reality the animal to completely occupy the carved stone content. To the middle Spring and Autumn Period, they created a liter bronze with unique characters. Two, three styling features and technological level is much lower than two; layout, and the third of bronze to pursue a more stylized and symmetry. The fifth chapter analyzes the Tang Ling Bronze and the evolution of the political system. Large Bronze never purely aesthetic carriers and plastic arts, but many social problems and the specific characteristics of the times, cultural etiquette, and ideas closely linked.
The main content of this chapter, the Tang Ling Bronze as an integral part of the mausoleum system, to explore the relationship between it and the evolution of the political system of the Tang Dynasty, in order to elaborate mausoleum bronze is not only aesthetic carrier and the plastic arts, or the ruling class to maintain its domination of the means. The hollowed-out bronze are cast by lost-wax method. Development and Evolution of the bronze of the Tang tomb is a microcosm of the social development of the Tang Dynasty. Chapter VI Conclusion Summary of the instruments of rule as a feudal hierarchy mausoleum bronze system eventually has been established in the Tang Dynasty. Although the fate of social times with the rise and fall, but on subsequent dynastic mausoleum system had a profound impact.
Social ideological and cultural factors: the rise of the plastic arts of the Han Dynasty, social: burial customs to promote filial piety concept of catalytic, popular beliefs and norms. Growth in the Han Dynasty art because of its originator Chu Qin to the former Han unique outgoing conquer the mental, a Dabeitaixi the emotional world, carry forward the spirit of the dance vigorous momentum of America. As a result, in the Chu’s graves in different grades, the use of ritual bronze arrogated one class by another upward. The throne by the early Han Wen Jing Age to the Han Emperor Wu the early Han Dynasty, people respected the Huang-Lao doctrine advocate inaction "born" thinking, this was born thinking under the Han Chong Shangjian Park's life, the Han Dynasty bronze art also reflects a rustic, natural, minimalist aesthetic.
 To the Emperor Wu of the rule of late in order to dominate phase to consolidate the monarchy, Emperor Wu of the ideological aspects of the adoption of the Zhongshu the recommendations: deposed 100, Only Confucianism. Confucianism became the ruling ideology of the feudal society. It was not rare to find dozens of bronze in one grave of Chu. Then begin to apply the Confucian emphasis on the positive accession to the WTO'' attitude, emphasized that people's subjective will. Confucian this accession to the WTO "thinking on the art of chaos with the Wei and Jin Dynasties, not quickly reflected. ( 39 world disputes resulting Confucians do not put their hopes in the country, but focussed on the landscape, the natural water san really Fanglangxinghai freely sentiment of life, nature.
 The greatness of the universe, resulting in the Metaphysics, ideologically extreme freedom also affects the Wei Jin art mysterious light wind.) but lag reflected in the maturity of the Tang Dynasty art programmable Han Confucian Broad and enrich the ideal, the opening of the Han Dynasty Taoist unrestrained realm, coupled with insights into culture dominate the Confucianism, Taoism and meteorological final form the aesthetic tendencies of the human victory day "in the Tang Dynasty. The essential of Zhou rituals was the system on using bronze. look at the relics of the bronze art in the Tang Dynasty bronze are to reflect a human a powerful performance of natural possessive Tang after the Song and Ming era, in human powerful get fully reflected, people began to pursue the discussion of things within reason. this period, the Neo dominant.