Guangzhou Bronze Sculpture Park

With very ornate decoration materials, high-end, will not necessarily be the effect of luxury, there is no visual contrast and different, but less effective. Thus, in the design, the focus should be the choice of guests and family members often available in the environment some good decorating materials, such as a dining or living room corner, giving the feeling of a bright visual, some room to focus on generous, simple, such as the library, studios, and artists' studios to focus more on work space and utility. The chariot and horse bronze sculpture is the transportation of ancient Chinese people.  Bronze sculpture of Modern Japanese public. Increasing emphasis on modern city life, safety, health, convenience and comfort. First, survival is a basic human need, and then with the economic development needs with the convenience of life, then there is the pursuit of comfort to life. This comfort can also be said to be a kind of cultural needs, the needs of human culture is unique to humans, in the ancient, primitive hunting, fishing to survive the era has created a demand for props.

It can be said at any stage of mankind, any kind of environment, in a different form to meet their cultural needs, such as through the creation and appreciation of bronze statue, painting, music, dance, etc. to be achieved. The original bronze sculpture was unearthed in the tomb of Qin Shi Huang, Lintong City, Shanxi Province in 1980. With contemporary deepening the process of urbanization, public bronze sculpture has become an integral part of modern urban landscape and cultural elements, and some even become a city landmark. Japanese bronze sculpture of the history of public. From the traditional architectural forms, the concept of home, clothing, and life Appliances, you can see the Japanese concept of inherent public art. The Japanese are good at and has a tea room inside the building, with four seasons put on different clothes, hanging scroll, props, make flower arrangement, tea ceremony and other artistic activities.

They do not like Western societies focus on external living space, and a variety of decorative bronze sculptures, but not entirely there is no form of chinese bronze sculpture, as in the outdoor space to create a dry landscape (Figure 1) to Stone Mountain, to the sand Yu Shui, the moss grass trees. In our culture under the influence of Zen dry landscape is the prototype of the Japanese public bronze sculpture, which forms between the natural landscape and the landscape between the ink. Now, the china bronze sculpture is in the possession of Lintong Qin Terra Cotta Warriors and Horses Museum. Japanese bronze sculpture in public space, the formation can be divided into three stages: Phase I: Meiji ago, when Japan's culture has been the impact of China's Buddhist culture, the land of God's statue in the wild, street to be placed, this land statues came from China, the late Heian nobility widely circulated among , to the Kamakura era and then spread to the common people among the rural intersection Tanabe in Japan, the land now can see a lot of stone statues of God.

Statue of these lands gradually interpreted as the common people the ideal, the desire of sustenance objects of everyday life has become an indispensable and irreplaceable public nature of the statue. The china bronze sculpture chariot and horse size is 1/20 of the real one. Second stage: after Meiji. Meiji Japan after the introduction of Western Fuguojiangbing theory, outside the state power driven, ordered the creation of a large number of political power to the heroic image of the image with the theme of the statue, bronze sculptures and other high-profile monument. Bronze sculpture of this period to bring the people and the rule of coercion for political purposes, and the land God has a very different stone, and later most of them were removed.