The body to decoration, landscaping, and had a religious ceremony, games and other cultural activities to meet the cultural needs at the lowest of people, to seek the meaning of life beyond survival. Phase III: 1960. 60 years of Japan's high economic growth, in the "archipelago transformation theory" in the context of a single people started to change the original plan, there is no personality urban form, and to improve the densely populated urban space brought about through the great sense of crowded, public bronze sculptures The media were included in people's vision. This wine vessel is vividly molded, true to life. Designers first consider the transformation from a human point of living space, not just simply focus on economic effects and functions, more importantly, how to construct from a humanistic point of view to consider the issue of new living space.
People-oriented, with a cultural perspective, oppose the use of unity, old-fashioned ideas to transform urban spaces, public bronze animal sculpture of this period became the guiding principle. To shape their own form of urban space to enrich the cultural atmosphere, bronze sculpture in public space to play a specific function has received a development opportunity. Japan's public status and characteristics of the bronze sculpture. The bronze weapons looks very serious, establishing a good image of loyalty. Densely populated, well-developed transport, especially in modern urban space development and efficient land use, interactive three-dimensional space constitutes a complex, with pastoral, simple platform landscape is different. Parks, squares, street court, high-rise buildings to form a variety of court, roads, shops, underground street, bridge. Small and diverse urban construction, public bronze sculptures in limited space, a sense of play to ease congestion in the city to regulate the rhythm of life, and improve the cultural atmosphere of the important role (Figure 2).
Of course, changing room for diverse public bronze sculpture set in Japan is also facing many new problems. In this three-dimensional, overhead-oriented, urban underground space, bronze sculpture to habits of head, look up the visual point of view is obviously not enough to set up, looking down, multi-angle vision bronze sculptures in public settings, set the spatial and visual angle changes, etc. to the public bronze sculptures bring new forms of thinking. The dancer sculpture represents the great graphic arts and metal transformation process of ancient Chinese people. European and American bronze sculpture has always respected the general public the amount of hard materials, etc., and in the increasingly complex structure of urban space in Japan This is obviously not applicable, so the Japanese public bronze sculptures evolved lightweight body mass, diverse materials, fibers, paper , and skin and other soft material is widely used.
Many cases is not very striking in some locations, small space (such as the building wall, corner, top of channel) on the set with some body mass is small, simple forms of sports, public bronze art reflective surface, so that those dull, dark space become healthy, bright, so that the public at any time to feel every part of the city is full of fresh culture atmosphere. The vehicle and horse bronze sculpture is the transport of ancient Chinese people. Public bronze sculpture on the surrounding environment has a decisive influence on public bronze sculpture often become an important symbol of urban space in the urban landscape on the basis of harmonization, emphasizing the art of china bronze sculpture body, so that urban space is full of strength and mobility, a sense of rhythm .
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