China Unicom signs are that we are all familiar with the "Pan" bronze patterns (people are usually referred to as the 'national node' after now), on behalf of interpretation arising, which consists of " a long, endless "source of the intended evolution to a highly developed modern information age communications network, but also a symbol of Unicom's career to exhaustion, forever present focus on the future innovation that we deal with China's traditional arts with times, the attitude towards maintaining a sublation. The decoration on the bronze surface is equivalent to the God of ancestor. Due to the growth of geographical and cultural atmosphere, the composition of the traditional decorative bronze patterns we are familiar with. Our modern amount of information passed rapid social, with the development of modern visual technology, especially electronic media and digital technology 4 Ruishun Gan.
Crane and deer are a symbol of longevity. Kam, dun, bronze cups, and flat the pot are the new objects of this period, and mostly for daily use. The Zhai birds Empresses status symbols, owl symbolizes the victory of God. Song and Yuan since, with the development of jurisprudence in the field of decorative arts reflect the ideological bias more and more strengthened, social political and ethical values, moral values, values, religious ideas are combined with the image of the patterns of decorative bronze, performance of a specific meaning almost the diagram must be intentional, the meaning will be auspicious, people simply become the mainstream of traditional decorative bronze patterns collectively referred to as the "Cheung Figure guitar case.
Use of auspicious patterns, symbol, allegory, analogy, table number, the harmonic meaning and text to express the 56 Jinhua Vocational and Technical College in 2008 monks and Western craftsmen to China brought a new element for the process of cultural . bronze mirror, hook, bronze lamps are the life appliances even used by the common people in the Warring States Period. Greek, Persian style as one of the India qianwei pack Luo art for our country to absorb and digest them, and created a new style. Lotuses and Buddhist religious significance of the widespread gold brick during this period combined, reached its apogee, a large number of porcelain, silver, tile, carved, caisson, column bases.
In the Northern and Southern Dynasties, the sacred tree pattern, which is the tree will simplify as close to the shape of a leaf face like, with the ancient Arab national decorative patterns, characteristics, to Islam founded in the 7th century, the sacred tree to become Allah a symbol of the sacred character of all the list goes on. The emergence of bronze, of course, is partly because of economic development. Due to contact with other nations to strengthen and alien domination, and other reasons, decorative bronze patterns and alien culture of ancient China has been the integration opportunities. In the Southern and Northern Dynasties popular geometric patterns, provoke grass pattern, a deep impact on the later the clothing Bronze patterns. Formally, the Qin and Han Dynasty have not seen its popularity may be related to the Western "Hu Fu".
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