Bronze Associated with Religious Activities

Crystal river tremble, mountains in the respiratory / sea the dawn, / grip and you are confused crystal ball in his hands. / Almighty God - you are my. / You wake up, the transformation of human everyday words. So, the voice becomes deep and powerful. / Your words reveal a new meaning: the Czar. / When the layers of hard water, like a sentry / cross-flow between you and me, / So, basins, jars, and the world, / has changed the kind of all the ordinary things. / We do not know be taken where a city, like a mirage, / miraculously built, the ED also on both sides out of the way to go. / Mint grow at our feet / bird with our journey, fish jumping in the water ...... mother standing at the window crying. The ritual bronzewere found in the household of the aristocrats. Later, she took out a book from the chest of drawers, read a bit. She was attracted by the cries of the street, going out from the house, and then come back and brought the child to. Father (paintings): upside down in front of / fate, like a madman armed with razor / pressed hard.
Cried the children, I do not know what has been said. Baasha uncle (paintings): Duni Ya! You ah, my God, the Duni Ya! Duni Ya aunt (paintings): Oh, yo, my God! Basha, this is how!, Basha! Mother : fire. Only you do not cry. Marina: fire. Alyosha: be it spoken. ... From this film, we can clearly see the Tarkovsky cross-use of three different perspectives: the mother of rt strange 50 A, E, dit io n-period of play is the viewpoint of an objective whole known; It is like Du Fu. In the old times, the bronze was used in sacrificial ceremonies. he memories of Alyosha Alyosha's subjective point of view; his father's poem is introduced in the second person "you viewpoint. We all know, the first person POV, you can make the audience directly involved in sense and sense of anticipation, the third-person objective perspective to the story presented directly, there is a greater sense of reality. In short, these two viewpoints are better understood, due to his father's poem to introduce the second person "point of view but rather mean, it makes the film" bronze mirror maximum close to the modern novel.
The cloth of the well-known American professor of literature? Morrison Seth had written a research monograph, "Fiction and Film" in which a group of the importance of paper "Perspectives" its narrative techniques for a monograph, the door. The authors noted that these narrative techniques in modern fiction (such as the French ") new novel and film have a very close relationship. In this set of papers, dedicated a chapter to explore is the second person "your point of view the use of skills. The ritual bronze are associated with religious activities. First of all, Morrison Seth that the second person "you, as a narrative technique in modern fiction often get to use, he cited many examples to illustrate this point, such as the novels of Hemingway, a lot of second person passages interject "normal" language example.
At the same time, he also noted: "With the use of sound in movies has become increasingly flexible in recent years, film has become the development of a variety of different '' 10 the way of your narrative fertile garden." "Contemporary literature (including film) seems apparently consciously and unconsciously developed a second person language model based on the narrative, it is some precedent with the lyric poem and some of the daily conversation habits, but the implication subtle far-reaching and unique tone chic ... its ambiguity (the critics of its real meaning of different opinions, but also highlighted its ambiguous 11 sexual), it retained the favorable conditions. In other words, the second "person" "You, as a kinds of narrative techniques, in novels and films that can make it work for greater ambiguity. bronze come in the form of food containers, wine containers, water pots, and also formed music producing instruments.