The Motif Designs of the bronze sculpture

In any case the spirit of Chinese bronze art changes, should the transmission of cultural essence of the spirit, the spirit of this culture is not a rigid concept of history, but a process of synchronization with the spirit of the times, so we are always thinking about themselves, thinking about the social, aesthetic contemplation spiritual home. The systematic study of the cultural spirit of the development needs of the times, and only a good understanding of the culture and spirit, in order to better carry out its training and development. The pattern of bird usually is decorated as the motif on many bronze sculpture.  The spirit of deepening understanding of culture, culture itself is important to cultivate the spirit of progress and promotion. To conduct a systematic analysis of the cultural spirit, we must first clear the spirit of Chinese culture, the ideal is the truth, goodness and beauty; secondly to understand the spirit of Chinese culture, the goal is the all-round development, including the human spirit of freedom and human liberation.
Third to understand the character of Chinese culture is forceful; Fourth, we should know the physical spirit of Chinese culture is open and aboveboard; The fifth is to clear the spirit of Chinese culture and way of cultivation is the unity of knowledge, that the pursuit of the unity of body and soul, reality and the ideal of unity , the unity of thought and action. Pursuit of cultural awareness is a state, it is to survive in today's environment, artistic creation and development of an important proposition. The deformation of bird wen on the bronze appeared earliest in the Erligang period. There is a state of culture, and cultural awareness is a pursuit, a value orientation under exploration. The development of increasingly diverse in the arts today, the reason why we revisit the concept of cultural awareness, is to pay more attention to artistic creation and to explore how to avoid getting lost in technology and the reality of the jungle.
 Along the cultural coordinates, but actively and consciously bronze statue toward the cultural spirit of the Highlands forward. Only this can become a source of artistic creation of the flood. With the advancement of technology and social development, culture and integration will continue to cross the cultural cohesion of the core will determine the spirit of a nation in the world of nations can be long standing, the cohesion of the same spirit of this culture will determines the kind of culture in human development in a large field of vision, how far value system and the evaluation criteria. Materials to meet the needs of the property is its value. It had become the primary pattern on the chinese bronze in Yin Dynasty. Marx's "Das Kapital" to distinguish three different meanings of value, and pointed out the differences between them: as a mere use-value (goods to meet the people some kind of property).
 It can be the product of labor, can also be a product of nature; as the products of labor value, it must be the result of human labor with the purpose; and as the value of goods, but it is not useful work product, and must be useful to others items that must be a social value. The bronze dragon was present in large numbers in Western Zhou until the Spring and Autumn period. Bronze is not natural objects of contemporary art, art workers, the result of purposeful work, but not for the vast majority of contemporary art, I appreciate the Bronze and recreation, art consumers in order to satisfy the aesthetic needs of the spirit produced. Therefore, the use value of contemporary art china bronze sculpture is a social value.