China Bronze after Industrial Revolution

The identity gap caused by the alienation: the traditional bronze sculpture authors are a craftsman, and bronze sculptor almost all institutions of modern origin, and which still, according to traditional landscape painter painting weights, or even to enter the field of teaching institutions (such as Qi Baishi , Pan Tianshou), with significant differences. He said he had never seen such a bronze sculpture before. Fourth, the interference of political utilitarianism: liberation, there are numerous major themes of Chinese painting and advocated abolition of the said. However, the millennium of Chinese painting is dependent on academic background paintings, the number of robbery escaped support. Traditional bronze statue not so lucky, but acquired deficiencies, incompetent, it eventually became a victim.

In the era of global economic integration, revel in the consumer culture and indulgence, and ascribed the elite culture of life and death, we will eventually lose their foothold in the land of the future world. We should pay attention to the time of the bronze sculpture. Art theorists and historical responsibility of the bronze sculptor who has been thinking about this important academic proposition: how to build a modern bronze sculptures of Chinese style? The essence of Chinese traditional bronze sculpture that? Given the lack of western China as a bronze sculpture of a consistent big tradition, showing the fault after another, mode range of historical conditions, so choose its essence on the premise that some sort of work do first. Since primitive times, the chinese bronze sculptures can be broadly grouped into seven modes: one, the original impressionistic style - virtual, simplified, expressive, lyrical impressionistic art of base elements as in the original bronze sculpture has been taking shape.

Such as the Neolithic Hongshan Culture, Liaoning towering statue of the goddess's eyes, Qinghai Majiayao culture pottery relief exaggerated vulva, which vividly reflects the desire of the original artists (genitals in the original concept of witchcraft is also a divinity); and notch depth of the power of expressing emotions is the mood swings. Usually, the newly found bronze sculpture is coated with mud. But, the performance of the original freehand spontaneous impulse rather than conscious art. In addition, the original freehand is not Chinese characteristics, the original china bronze sculpture of the world are with impressionistic tendencies, such as the European Well Orient Astoria original Venus. Sanxingdui strange decorative wind - among Sichuan's Sanxingdui culture, while at the same historical period with the isolation of the Central Plains Shangzhouwenhua away, but hou was known as the "cold beauty of Li," the strange decorative style, especially the ferocious taotie means, the same found in Sichuan Sanxingdui bronze masks.

Terracotta decorative realist style - realistic bronze sculpture of the early world have been decorative stage, such as bronze sculptures of ancient Egypt and Greece, Homer - antiquity transition bronze sculpture. The original color of the bronze sculpture is very beautiful and attractive. However, the late archaic Greek bronze sculpture in the decorative taste out gradually. Terracotta has obvious stylized, structured, patterned tendencies, it is known as decorative realist style. 4, Han freehand style - in the Han Dynasty china bronze sculpture in the prospering, such as figurines drum rap, dance figurines, etc.; and most representative of the stone tomb of Huo when pushed. Zhai President be summarized as: "First, 'with the original stone', the first look at the stone shape roughly similar to what things; the second is 'close to his heart I', transport thinking object with the author of the fit; third is 'a form of God', in the overall grasp of roughly carved from stone in the stripping out of body, surface, line, and the material, images, three for a financial author.