When the chinese bronze sculpture saw the light of the day again

More importantly, the West Zhou Jinwen line of the self-sufficiency has been intense publicity, the works charm to get rid of mold for casting process began the process to obtain independent, vigorous lines, Watts, dignified natural, non-commercial inscriptions have been dull, stagnate lines vocabulary can be compared. When the chinese bronze sculpture saw the light of the day again, the mottled stain also could not conceal the old mighty power. The late Western Zhou Dynasty, big seal character body toward standardized, stylized, personalized, one sickle three ridge camel burst, and then pushed the calligraphy style of the realm of aestheticism, book slender body configuration, size, convergence, guitar body gently smooth, well-proportioned and sophisticated, the book winds solemn and dignified, gorgeous grace.

After the mid-Western Zhou Dynasty, on the one hand, lead seal technique of writing the kind of long air force cover the basic rules and to establish clear gradually, reaching its peak, the diversity of style and character, from a large tripod to Yu Guo Hideko white plate, scattered s plate, creating a greater span of style, showing the spirit and culture of different artistic style formed by the difference. The long-handled bronze sculpture ge with a chisel edge was first seen in the period of Erlitou culture and had been in use until the Warring States and Qin. The other hand, the late Western Zhou bronze inscriptions of local color on the aesthetic style of calligraphy had a profound impact, showing a geographical inscriptions calligraphy of style, such as: Qin, Wei, Lu and other princes of the country suffered its own unique local aesthetic tendencies, the emergence of the Eastern Zhou Dynasty different from the text book phenomenon, from the aesthetic foundation.

Among them, Hunpu dignified, deep-Wei all the way to the ancient thick, with scattered disk Ming, Guo Hideko Baipan Ming; workers muddy strict Muslim, male Pegasus all the way round, with the wall plate Ming, Hu Gui-ming; exquisite Nga, flow Plaza meaningful way, There Maogong Ding Ming, Ming-Gui classes; pure condensate cool, spicy all the way to Alice Road Show, a big Yu Ding-Ming, Dake Dingming. The bronze sculpture in the tomb of Shang in Dayangzhou, Xingang can be cited as the epitome of mainstream weapons in the Pre-Qin era. See them is like watching an arsenal.

In short, the bronze inscriptions of the Shang Dynasty to the Western Zhou Dynasty in the style of the conversion process, the original sacred aura slowly fade, and from content to form, towards human-oriented, secular direction, calligraphy to enhance the aesthetic sense, more attention the form of inscriptions and artistic sense, the cultural content is a big step forward. Fourth, the art style. Western Zhou bronze art direction toward the rational development of the character of God, the decline of personal character to highlight the emergence of a new simple and natural style. During the pre-Qin period, ge (a china bronze sculpture) heads the list of the five during war weapons in the chariot battles. The vassal state of Western Zhou bronze culture not only unified but also different. On the one hand, the Western Zhou Dynasty royal family strong, powerful control of the vassal state, the country is in political and cultural unity.

On the other hand, although the vassal state of the bronze bronze and the Central Plains culture maintained a commonality, it has its own characteristics, or shape, or ornamentation, or inscriptions, this is the decline in the week the case of the royal family, the local socio-economic and political forces increasingly reflected in development. On the basis of the forms of the handles, china bronze sculpture ge can be categorized to straight inter Ge, inturn Ge or qiong ge (the hole on axe for installing a handle). To some extent, Eastern Zhou Dynasty bronze made to prepare the local culture and bedding. Such as the three Ge abdomen with three dove dove for the first decoration, the development of its wings, floating moment in the bags full, reflecting the unique artistic features Jianghan region.