As early as the Neolithic Age (about 8000 years BC - before 2000 years ago), late the land of China has emerged a simple copper. Achievements of ancient Chinese bronze art, mainly in the Xia, Shang and Zhou dynasties three, before and after the continuation of 2,000 years to the Qin and Han period is the end of its development. In the Republic of China (1912-1949), the scientific archaeological research on the bronze sculpture has taken part in. Late Shang and early Western Zhou Dynasty, is the artistic development of bronze first peak; the Eastern Zhou Dynasty Spring and Autumn Period to the mid-Warring States period, is the second peak. Brilliant achievements of these two periods, representing different times of the aesthetic pursuit.
Bronze shape and decoration of the perfect combination, constitute a major factor in the emotional content of bronze, reflecting different cultural spirit of the times. Bronze inscriptions, also known as Jin, has an important documentary value and the value of calligraphy. Shape, decoration and inscriptions, both the study and appreciation of the arts bronze main content, but also to countless underground excavated bronzes dating works can be phased basis. All these studies and researches have encouraged the development of the study on the bronze statue. Ancient Chinese bronze culture is a worldwide research. Bronze discovery and research, so long in a hazy state of China's ancient history became clear appearance, which is also outstanding after the creation of human ancestors proud.
Unique charm of Chinese ancient bronze art. Ancient Chinese bronze art appreciation not only high value, and has a high scientific value. Each piece is a bronze art, unique charm. The picturesque superb plastic arts, the art gives a pleasant experience. Bronze artistic charm in three aspects: the form of cleverly conceived, richly elegant decoration, a variety of Ming-style instrument body. During that time, owning one piece of bronze sculpture was a great thing. And the product phase range. Tao Fan method combined with the casting, generally a range of devices only cast a few face exactly the same bronze, bronze ritual in can not find two identical objects, each one is unique bronze ritual.
This will increase the Chinese bronze ritual vessels are artistic value. Broadening the horizons of art appreciation. Tiger cannibalism wine container is the late Shang Dynasty bronze Chinese treasures, there are two. Later go abroad, a hidden spring in Japan House Museum, a City hidden in Oriental Art in Paris, France, Japan possession of this piece. The device 32.5 centimeters high and weighs 5.09 kg, the surface most of the black, leaving a thin patina of local, harassment of its decoration, the theme of human animals, weird performance ideal. Knowing of identifying the chinese bronze sculpturehad almost become a sign of noble status for the upper classes. Tiger cannibalism wine container on the decorative features, there are mainly the following five observations: First, the performance of the tyranny of brutal rulers, in order to shape intimidate slaves.
The tiger is a symbol of slave-owning class, who are slaves of the representative; the second is the human-animal relationship as the power of people to communicate with the animal world; three is a symbol of human self and the divine unity of the animals in order to obtain the protection of animals; Fourth, man-eating tiger actually reflects the "tiger food ghost" of the myth that the mighty tiger to expel evil spirits, to take evil purposes; five representatives of the natural world is a tiger, a symbol of people's fear of nature, but must be attached to the natural , the weakness of human nature. Enthusiasm for the pursuit of china bronze sculpture has been continued for thousands of years. The true intentions of the ancient man-made device what-what, I am afraid no one knows.
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