The chinese bronze sculpture designers of Wu bronze

Shang bronze decoration is rich in implication and the rhythm of the organic integration of form, aesthetic pleasure in include a social utilitarian. From the existing decoration of view, its much more than its symbolic decoration, which has so far silent pattern of religious people speak of the concept of Shang and etiquette, and his master's will and expectations of the rulers. In brief, it is a treasure hard to come by in the midst of Wu’s bronze sculpture. The bronze was the performance of the myth of content and ideas, and some may be related to the various tribal totem was on, was the reflection of cultural backgrounds. And some may be marked with the imprint of the social life of the times. But now the myth related to already lost many of the social history of historical events has been the past, we naturally lose the cultural background of the break time basis.

The aesthetic mood was still being revealed in the bronze ornamentation. Bronze decoration of the equipment, mainly for communication between man and God’s religion into account functional considerations and utensils. The first is to consider religious function. Shang is revere the first ghost of age, of heaven and earth, gods, respect for nature dominates man’s thinking, and human self-consciousness is still in the stage looked. The chinese bronze sculpture designers of Wu bronze creates these artworks full of artistic charm. Bronze Age ancestors as gods of communication, close to the world of ritual, must also determine its decoration is a symbol of religious meaning, and should have provided the decoration features. The overall mood of bronze ritual process should be mysterious, tight, consistent atmosphere of terror, to help complete the Bronze Age to the deified by the people of the change.

This is mainly achieved through animal patterns. Chang said, “The animals have some help witch wizard through heaven and earth, and their image in ancient times will be cast in bronze Yi on the.” He also played Fu’s view, said, “At least there are a number that is ritual sacrifice of animals. The bronze sculpture still manifests their own corresponding aesthetic experience, aesthetic sense and aesthetic concepts. Animal is the use of animals for sacrifice to help people through the witch wizard to God, heaven and earth pass, pass up and down a concrete way.” The entire china bronze sculpture is clearly in arrangement and extraordinarily vivid, attracting the audiences and achieving the aesthetic effect. The main reason, one in the Zuo Venerable three years, the Sun-filled summer to talk about tripod functioning of a say. He said, “ZD like material, soaring to do this preparation, so that people know God evil.” With the Association on the upper and lower energy, to Edward Hugh.

The second is Mountains and Seas mentioned several times by two dragons, two snakes, etc., is to help others through heaven and earth. The readers can get a glimpse into the requirements of the Wu’s china bronze sculpture decorations laying stress on the sense of layers. Third, modern shamanism has a similar approach. Patterns of many animals, the myth was embodied in the background, but unfortunately due to age-Miao Yuan, documents lost, not knowing when we have the myth system, and only from the later Shan Hai Jing and other literature to get some circumstantial evidence. Gang from the two years since the times of the Shang Dynasty and the prevalence of single geometric pattern of a target line, with the ancient myths and legends that purpose. Shan Hai Jing and there are a large number of records present myth.